RIMOWA collaborates with Ptolemy Mann for its newest limited-edition launch

For a limited-edition collection of its Important Cabin Threshold instances, RIMOWA has partnered with British textile artist Ptolemy Mann.

RIMOWA has partnered with British artist Ptolemy Mann for a limited-edition run of its Important Cabin Instances. Images: Victor Brun

Phrases by Roddy Clarke

Final month RIMOWA unveiled its latest Important vary of suitcases, obtainable in two colourways Ginger and Nautical. As a part of the discharge, the model collaborated with British textile artist Ptolemy Mann by that includes an summary iteration of the artist’s work ‘Threshold’ on the polycarbonate shell of a limited-edition run of 1000 instances within the Nautical colourway. The paintings additionally options on the suitcase’s inside with blue-tinted brushstrokes printed onto the RIMOWA flex divider.

Famend for her woven artworks and summary purposes, Mann’s profession spans over almost three many years together with her work featured in galleries everywhere in the world. With this design combining layers of ink that mimic the brushstrokes and depth of her authentic work, Mann explains the way it was utterly completely different to the rest she had labored on earlier than. ‘RIMOWA has such a robust id and historical past that it was difficult to honour that and attempt to deliver my very own signature to the case,’ she says. ‘There have been numerous technical restrictions by way of how we realised the concept, but it surely was additionally attention-grabbing to discover a number of loopy, enjoyable visuals early on.’

For this collaboration, Mann’s Threshold portray has been transferred onto the floor of the case by means of digital printing. Images: RIMOWA

Working intently with the crew at RIMOWA, the mission got here to life by means of a collection of prototypes to make sure the brushstroke could possibly be translated onto the floor of the case. ‘It actually looks like I’ve painted it there after which on the spot,’ she feedback. ‘I really like the immediacy of the gesture.’ Additionally experimenting with gloss and matte surfaces to seek out the suitable texture and end that greatest complemented the paintings, the artist reveals how it’s difficult to attain that by means of print expertise. ‘I really feel so proud of the end result,’ she says, ‘and I really like the concept of a conveyable paintings you carry with you thru life.’

Ptolemy Mann explains how this collaboration is completely different to any mission she has beforehand labored on. Images: RIMOWA

With RIMOWA’s philosophy centred on longevity, this collaboration pays homage to that in bridging the hole between artwork and practical design and making a design that may be handed down by means of generations. By elevating typical types of baggage by means of artwork, it permits customers to discover a private reference to the merchandise whereas additionally giving extra accessibility to artwork lovers wanting to take a position into new works. Talking of such collaborations, Mann states how it may be a problem to seek out the suitable collaborators. ‘Not all concepts work or translate effectively,’ she says. ‘We additionally stay in a time the place museum retailers present us with all types of irrelevant objects coated in a complete spectrum of artworks and I believe it’s truly an actual problem to collaborate meaningfully. In principle, it’s good to cross classes and discover new platforms as an artist – however for me, the important thing was to have an clever message behind the bodily object.’

Titled ‘Threshold’, the work alludes to the concept of not solely passing by means of one thing bodily but in addition emotionally, the artist reveals. ‘Certainly, travelling is sort of actually, a collection of thresholds we cross by means of to get the place we’re going,’ she explains. ‘The entire act of passing by means of an airport and onto an aeroplane is sort of extraordinary whenever you take a look at it from an outdoor perspective. Its surreal and form of loopy – we put an enormous quantity of belief in that course of getting us the place we need to go safely.’ Engaged on her Threshold work over the past 5 years, this ongoing collection of labor is a manner of capturing the place the artist is and the way she is feeling at any second. ‘I could possibly be in a subject in Wiltshire on a sizzling July day or in a shed by the seaside on the northern coast of Denmark and the intention with these works is to seize that particular vitality in that second, how I’m feeling in response to the place I’m in,’ she states. ‘After many years of constructing artwork on a loom which is, in my case, an enormous, static, non-moving object – these work symbolise a way of freedom and spontaneity. I could make them wherever, at any time. So, this concept of making a brand new threshold portray that captures immediacy, that we will carry with us was intriguing. I really like the concept that it appears to be like like I simply made it a second earlier… the truth is the paint nearly nonetheless appears to be like moist.’

The paintings continues onto the divider contained in the case, bringing a novel contact to a practical merchandise. Images: RIMOWA

Fascinated about the artwork world from a wider perspective, Mann reminds us of its complexities. ‘The older I’ve turn out to be the much less involved I’m by the foundations. Rule breaking makes attention-grabbing artwork, in my opinion,’ she says. ‘As Rick Rubin has been saying in his e-book, The Inventive Act, it really works so significantly better whenever you make what you like. The second you begin attempting to make artwork or music to please others’ expectations it tends to turn out to be immediately much less highly effective.’ Whereas talking of the renaissance that textile artwork is having, she additionally feedback on the popularity that girls artists are lastly beginning to see. ‘I hope issues hold shifting ahead in each these arenas,’ she says. ‘In some methods issues really feel a bit extra open and collaborative than they was. The concept of 1 gallery representing an artist worldwide appears to be waning.’

In making use of her paintings to a RIMOWA case, Mann hopes it would replicate the model’s ethos of longevity in creating one thing that may be treasured for generations to return with the standard and sturdiness to match as much as it. Images: RIMOWA

‘Nevertheless, the one factor I completely hate, and want would change, is this concept that as an artist you shouldn’t introduce your self or your work on to a gallery… you are supposed to in some way get found’, she continues. ‘In some other business there’s a course of by which you’ll strategy a writer (let’s say) along with your e-book, by means of an agent and get it seen. In fact, the work have to be good, however I at all times discover it unusual that within the artworld there isn’t any formal route of introduction between artists and galleries. I can’t see this ever altering however I really feel a number of good gallery / artist relationships get utterly bypassed. There’s simply an excessive amount of ‘luck’ concerned however maybe that’s one in all idiosyncrasies of the artworld that makes it tick.’

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